So let’s take a look at what happens if you have to work with a mix of video clips at different frame ratesįor simplicity reasons the first part of this article will use examples with 24, 30 or 60 fps, however, the logic will apply to 23.976 / 29.97 / 59.94 as well. In general, in my opinion any scenes that involve ‘panning’ are more difficult than others. Additionally, the algorithm behind the conversion (so to speak … the software which does the conversion) is relevant as well. It will strongly depend on the footage (and scene) you have shot whether you can get away with a conversion or not. It’s always best to shoot your footage at the desired output frame rate unless you want to make use of slow-motion.Įvery conversion from one frame rate to the other - unless it is intentionally a slow-motion footage - is not ideal, however, in many situations the fall-out is not noticeable or it is neglectable. However, the principle and effects of changing frame rates should be similar in other software. My examples are based on an Adobe Premiere Pro CC workflow. 23.976 to 29.97 or vice versa or even higher frame rates to one of those frame rates. Ending up with footage that was shot at different frame rates is a real world scenario - to handle that in the best possible way is helpful to understand what happens to footage when the frame rate is changed - changed in either direction: e.g.
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